If you haven’t seen on my social pages yet, I recently had the pleasure of doing a Q&A with Joshua Gillingham. (Shout out to you, Joshua!) He’s fascinating, and a great source of mythological knowledge. A bit of a Renaissance man, really. In addition to writing, he’s a musician, game designer, and an educator. His website is chock-full of cool stuff, so head over to check it out. His debut novel, with one of the most KICKASS covers I’ve ever seen, is due to release this Fall. It’s titled The Gatewatch, available from Crowsnest books.
Draugr is finished! It’s been 9 months or so since I began, according to last year’s update. I typed The End about three weeks ago, and after a (very short) period of letting it lie, I am well into my first revision. If all goes well, the first round of editing should be done by the end of this month or next.
I have mentioned this before, but I have found K.M. Weilandto be an excellent resource towards understanding story structure, outlining, and plotting. I am a pantser by nature, but with Weiland’s help, I’ve become much more of a “plantser.” As a result, the revision process feels much less daunting than it did for Wergild. This novel is structured using the Three Act plan, and so my struggle has been to keep everything as tightly-wound as clockwork.
The biggest obstacles I’ve faced so far:
My opening chapter was weak, and too short. I just wasn’t satisfied with the introduction to Leif and his “Normal World.” So as much as I hated to dive back into the drafting process (I just want to be done!) I wrote two brand-new opening chapters. We’ll see how beta readers react, but I’m pretty confident they do the job they’re meant to.
Currently, I’m working on three new scenes at the end of Act One, which should launch my Act Two much more effectively. If I do this right, the scenes should fit together like puzzle pieces and make the transition into the main body of the story much more smooth.
Third piece of news:
Back in April, I performed a reading of my short story The Gate. Through that performance, I connected with and started attending the AWCZ Writer’s Group here in Zurich. They hold a meeting once a month, and I’ve really enjoyed each one.
With these activities, I have made some fabulous new friends. One is a truly gifted poet and illustrator, named TAK Erzinger. She’s been such a ray of light and inspiration! You can check out her new book of poetry here. Her website can be found here.
My other new friend is Lorraine Curran-Vu, a former teacher and current personal essayist. She’s also my new writing buddy! We try to meet once a week, which has been fantastic for productivity. This past Monday we met on Lake Zurich and wrote for an hour. Who wouldn’t want a view like this?
Fourth piece of news:
Two weeks ago, I met my writing buddy in Geneva for a wonderful workshop on revision, taught by Michele Bailat-Jones. She is a wonderful teacher and I learned so much from those two hours. It was especially relevant with all the revision work in front of me. I was also lucky enough to network with a bunch of professional writers, and I’m really excited to see where some of these connections go. Writing can be so isolating, so I’m excited to finally emerge from my darkened office.
That’s my update for July. As I get further along in my revisions, I’ll be sure to keep you updated! Follow me on Twitter for everyday flimflam and chicanery.
You know the quote that says “The best laid schemes o’ mice an’ men gang aft agley.”
It’s a Robert Burns quote, and even though the Scots language can be difficult to piece through, the meaning is clear. We all plan, but sometimes those plans don’t work out. Right now, I feel like my plans got set on fire, stomped on, and then left in a pungent pile of steaming refuse.
In August, I shared a little bit about the process of writing my UF novel and how to push through when the inspiration isn’t there. It’s a lesson I seem to have forgotten. I just had to count on my fingers to see how many months it’s been since I finished my novel, and how many months since I’ve even opened the document. The result was 7. That seems like a while, doesn’t it?
Not all of these 7 months were fruitless. The most important task I needed to accomplish turned out to be both the easiest and most challenging. The easy part came first. In September, I cast my net for feedback from my beta readers, and received so many incredible responses. From that feedback, I was able to compile a list of editing tasks. But guys…as much as I was all gung-ho back in August, by October I was burnt out. Six years to work on the same project, bleeding the words onto the paper and then concluding that you have to bleed some more?
The feedback I received was fabulous, and constructive, but some of it was hard to swallow, if I’m being honest. We’re always our own worst critics, until we aren’t. When faced with some of my weak spots, I felt just a teensy bit defeated and uninspired. My creativity dried up. I began to doubt my ability, my choice of genre, and even my desire to be a writer. That self-doubt paralyzed me. Every time I opened my master document of my novel, I hated every word. I wanted to burn it, delete it entirely, and start again.
Thankfully, I had a few amazing friends (shout out to Taryn, especially!) remind me that it was ok not to write. I didn’t have to edit my novel right then. I didn’t have to write anything. I didn’t even have to open the document if I didn’t want to. It would still be there. My work would wait for me to be ready. And it was ok to not be ready for as long as it took.
My brain had a little trouble wrapping itself around this concept. I am such a perfectionist, and such a do-er (my sisters would call me an overachiever) that I forget to let myself and my work just be. I convince myself I am not doing enough, or I am not doing well enough. The merry-go-round in my brain just can’t let it rest. I’m either a terrible writer or I’m not giving my best. That kind of self-condemnation is destructive. And paralyzing.
And since I’m being rather transparent, that thinking pattern extends to my parenting, my housekeeping, and pretty much every sphere of my life. Perfectionism backs me into a corner and beats me over the head with my perceived failures, making me simultaneously hate my writing and myself.
It’s a daily battle to remind myself that I am enough, I am doing enough, and that it is ok to rest.
A lot of writing advice recommends letting a manuscript rest for a while before you pick it up to start editing. So in the spirit of making healthy choices for myself and my writing, I decided to just stop altogether. Self-care takes on many faces these days.
So, with the decision to put writing on the backburner, I turned my attention back toward more important issues within my family.
We spent the entire month of December in England, enjoying Christmas and the New Year with family. January saw us back home, under the weather with strep throat, and then February seemed eternal, with never-ending colds. March has dawned with an invigorated sense of optimism. We’ve begun choosing paint to redecorate our living room, and I’m buzzing with ideas.
We also just finished up a period of sub-zero temperatures here in Zurich. The sun is finally starting to peek out of the oppressive cloud-cover, and Spring feels just around the corner. With that shift in energy, I feel a shift within myself.
Just like the peeking sun, and the fragile snowdrops pushing their blooms through the ice, my creativity seems to feel the thaw. I’ve posted poems recently – here and here – in an effort to flex those lax muscles. I even won a small award for a poem, which you can read here.
It feels good to work, even if it’s not my big projects. Motivation and inspiration are still a wee bit sleepy, but I’m confident. With this new lesson of extending grace to myself, I hope to have made the first steps in editing by next month.
Until my next update,
Take care, and remember to have grace for yourselves.
Near the end of 2011, I sat down and sketched out my first rough idea for an urban fantasy novel. And as I enthusiastically brainstormed and developed ideas, a bitter voice in my head told me to stop, to give up, to throw the towel in and relinquish the dream of being a writer. “Better to give up than be known as a bad writer,” it told me.
That small voice has been present from that day until the day I wrote the final word in my first novel. Three days ago, at 11 pm, I closed my google document and sat back in my office chair in complete disbelief. I’d done it. I’d finally finished my very first complete novel. And I told that small voice to suck it.
In another post, I will describe the six-year-long path I walked to reach the last page. But in this post, I want to focus on the present.
I began and abandoned dozens of stories over the fifteen years since I began writing. These stories range in genre from historical fiction, to urban fantasy, to romance, and even to fan fiction. After handfuls of chapters, or even just paragraphs, I’d hit a wall and quit, or lose interest and begin another story. I gave up on project after project. And for a very long time, I felt like a failure. I still do, on bad days. The question that runs through my head after every failed short story or work is perhaps a question every writer has after an uncompleted project:
“How can I call myself a writer if I can’t even finish anything?”
Success can take on many different meanings to a writer. This is especially true if you’re a writer of fiction. For many, the ultimate goal in its simplest form is to finish the project, and then publish it. And if you don’t finish a project, it’s very tempting to call yourself a failure. And even if you do finish something, even if it’s as short as a haiku or as long as an epic fantasy, the inability to publish it can haunt you and create a hell of a lot of self-doubt.
Success for me meant never giving up. Even when depression or circumstances told me that I would never finish, that my novel was too broken, too cliche, too boring, or whatever lies the voice in my head decided to tell me any given day. Success meant that I sat down to write when I didn’t feel like it, and that was a lot of the time.
Success looked like marathon sprints over the course of a few hours, and it looked like one sentence in a month. It also looked like no words at all for months at a time.
I think the true success doesn’t look like the end result, or the achievement of publishing. Through this process of writing and sticking with this novel, through all the structure changes and plot refurbishment, all the character development, all the technology failures and loss of whole chapters, all the rewrites and editing, I learned that the true success is just showing up to the process again and again.
Let the creativity carry you. Let the frustration buoy you instead of lie to you. Sit down again and again and again. Type a word, delete it, come back another day. Just don’t quit.
You don’t have to write every day. You just have to write. That’s real. That’s truth. That’s success.
Now that my Second Draft is more or less in working order, my next step is to go through a rough edit of the entire thing. I’ve never really figured out my large editing process, so this will be a fun period to get to know that part of myself. I enjoy editing, on a chapter-by-chapter scale, so editing the whole monster should be just that, but bigger, right? Right?!
Once I’ve gone through and made sure everything follows my plot structure the way I want it to, and I’ve managed not to obsess too much over little details, I’ll be searching for an agent. I’d like to see if I can find a professional editor, but that particular detail is kind of scary. And kind of expensive. So I’ll see if I can find an agent, and if by some miracle I do find one, we’ll see if they point me to an editor. This is going to be a long process, and I will share every step with you. I hope you’ll all come with me!